Description
With MKII, we started from scratch! Every element of mechanics and MKI body was changed to achieve the next level of performance, precision, and reliability! The new design now has the universal position of gears across the set, an easily shimmable PL / EF mount system (with more mount options to come), T-stop markings, Reverse Direction Focus Scale, a 15 aperture blade iris for every lens and much more!
At the heart of it all, we now have what we call a “hybrid focus system”, which is a combination of a new & refined helicoid combined with technology generally found in CAM-driven focus systems. The result is a very reliable, rugged focus system that feels like a CAM-driven focus ring, even on lenses with weighty optical blocks such as Helios 40-2 and Tair-11A. Combined with an internal focus design that no longer limits the clip-on Matt Box weight, these lenses are now an absolute joy to use, which is what MKII rehousing is all about. Our goal was to make these beautiful optics capable of handling even the most demanding filming environments, and with MKII, we finally achieved this goal!
Our lenses work perfectly on the best cinema cameras from Arri, RED, BlackMagic, Zcam, Kinefinity, etc.
MIR- 20M 20mm T3.6 (F3.5) is the widest rectilinear lens in Soviet lens line-up. It’s losely based on the Carl Zeiss Flektogon 20mm optical formula. The minimum focusing distance is just 0.18m, which makes it one of the shortest close focusing lenses in its class and a great lens for getting very close to your subject. If you want the maximum depth of field though, focusing to around 2m brings pretty much everything into focus!
Please note, if you plan to use these lenses with 35mm film cameras, such as Aanton 235/535, Arri 235/435/535, etc., you will need a replacement iris ring to get enough clearance above the mirror chamber. We can provide these replacement rings free of charge or install them when assembling your order, so please let us know if you need them once your order has been made.
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