20 mm / F3.5 – MIR 20 CANON EF mount LENS Anamorphic flare with color Purple painting & oval diaphragm. Plastic Focus Gear

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Specifications:

  • Camera mount: CANON EF EOS
  • Modification: Anamorphic flare (with color Purple painting & oval diaphragm)
  • Focal length: 20 mm
  • Aperture: 3.5
  • Focus Gear: Plastic Focus Gear
  • Body type: Black
  • Modify: IRONGLASSADAPTERS
  • The lens can be used with all cameras with CANON EF EOS mount
  • This item include case, front and rear caps

$420

Description

LENS IS DECLICKED

This is FLARE anamorphic lens. The lens has effect of an anamorphic lens (anamorphic bokeh & anamorphic flare). Also there is an oval diaphragm and standard round diaphragm lens is painted color inside. Videos and photos turn out very interesting! This lens will give to your image improbable appeal! Focus in full range including infinity. Glasses have small traces of use. Inside there is no dust. Aperture blades are free of oil. The lens has undergone cleaning and testing by the qualified master. It is completely ready for use.

IGA have developed a set of lenses to deliver the look, feel and characteristics of Panavision C Series anamorphic lenses from the 1970s. Classic movies like Blade Runner, Star Wars, James Bond – The Spy Who Loved Me and Superman were all shot on Panavision C series lenses giving that ‘Classic Hollywood’ look we all know so well. This set of lenses is now available to buy from IGA.

The set of lenses provides all the characteristics of these classic Panavision C series lenses, like: oval bokeh, blue horizontal flares, very narrow depth of field, soft warm skin tones, blooming highlights.

The lenses are custom modified and designed by IGA lenses using Russian KMZ spherical lenses which have been modified with new internal coatings to the lens body, new oval fixed aperture and flare creator all inside the lens between the lens elements.

These modified lenses are spherical and let you shoot the classic anamorphic look without having to de- squeeze the anamorphic image in post production, simply add 1:2.35 aspect ratio black bars in post production.

The lenses come with PL mount, ideal for use on 4K cameras by Pansonic, Sony, Canon, Red and Arri , taking off the harsh digital 4k clinical look and giving you the Classic 70s Hollywood Anamorphic look.

These lenses have been developed and tested in conjunction with British Cinematographer/Director Andy Lee who is using them to shoot his new feature film.

20 mm / F3.5 – MIR 20

  • Focal length: 20 mm
  • Aperture: F3.5
  • Minimum Focusing Distance = 0,18 m

When you first take the lens, the convex front lens, which has a wide edging that resembles a lens hood, attracts very much attention.

Features of the MIR 20 3.5 / 20 lens:

The focus of the lens is very smooth. Due to the fact that the front lens forms a kind of lens hood, the focusing ring remains clamped between the camera body and the «blend». The focus ring rotates 320 degrees, thus providing a very precise focus for sharpness. When focusing, the front lens does not rotate, and the lens unit with the front lens moves about half a centimeter from the camera.

The aperture of the lens is only F / 3.5. But the wide-angle is often used for landscapes, and there is no need for a large aperture.

The MIR 20 3.5 / 20 lens shows the depth of field for each aperture value. «Infinity» near the lens begins with 2 meters on the focus scale.

There are different versions of MIR 20 3.5 / 20, some do not support the installation of filters at the front of the lens, some use light filters that are installed near the rear group of lenses.

The lens is very well assembled. Iron and glass.

MIR 20 3.5 / 20 is an ultrawideguide, the focus ring has to be twisted very rarely, and in 90% of cases the lens is focused on infinity.

An unusual feature of MIR 20 3.5 / 20 is the minimum focusing distance, which is only 18 centimeters. This is a very good indicator, you can experiment with the prospect, taking off small objects, flowers, etc. The MIR 20 3.5 / 20 lens has one of the shortest focusing distances among the lenses of this class.

On the crocheted chambers, ultra-wide-angle lenses, MIR 20 3.5 / 20 including, lose their «over wide-angle» and become the usual «wide-angles». Of course, on full-frame cameras MIR 20 3.5 / 20 will be of much greater interest.

MIR 20 3.5 / 20 – an interesting vintage lens, gives excellent sharpness in the center, loses sharpness around the edges of the frame. One of the few Soviet lenses, which creates a really wide viewing angle on the crozed cameras.

Additional information

Focal length

20 mm

Aperture

3.5

Body

Black

Lens mount

CANON EF EOS

Modification

Anamorphic flare (with color Purple painting & oval diaphragm)

Focus Gear

Plastic (control gear focus)

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